History of Vietnam's Hill Tribes
CHAM HILL TRIBE
With about 100,000 inhabitants, Cham (Cham,
Chiem, Hoi) ethnic group originates from Ancient
Cham Pa Kingdom. They live mainly in Ninh Thuan,
Binh Thuan, Binh Dinh, Phu Yen. Belonging to
MaLai-Da Dao linguistic group, the Cham people
remains influenced by matriarchy and Indian
culture. The ancient Cham writing is Sanskrit-based.
Hinduism and Mohammedanism are their principal
religions.
THE UNIQUE CHAM CULTURE
The Cham culture is a unique tradition, contributing
much to the diversity and richness of the Vietnamese
multi-ethnic culture. From the first century
AD, the Cham people received deep influences
from Indian culture. In the 7th century AD,
Cham Pa was already a kingdom with a capital
in TraKieu (now Quang Nam) with a temple dedicated
to the Indian Valmiki and his famous epic, the
Ramayana. By the middle of the 8th century AD,
their capital was shifted to Nha Trang and five
years later to Dong Duong, 15 km away from Tra
Kieu in the southeast. The Cham are one of the
53 ethnic groups in Vietnam and comprise various
subgroups. There are around 98,000 Cham people,
including the Cham Hroi in Binh Dinh, Phó Yen
and those living in Ninh Thuan, Binh Thuan and
other parts of southern Vietnam. Inhabiting
a large area, the Cham also have many diversified
customs and social practices. While most of
the Cham in HoChiMinh City, AnGiang and Tay
Ninh, and the Cham from Cambodia follow Islam,
those living in Binh Thuan, Ninh Thuan provinces
follow Brahmanism. Islam is modified to suit
the people here and is called 'Bani'.
The Cham
language is of the Malayo-Polynesian family
and is spoken by about 250,000 people (G. Moussay,
Dictionaire Cham-Vietnamien-Francais, published
by Phan Rang Culture Centre 1971). However,
it does not necessarily follow that the Cham
in different regions can fully understand each
other. It is natural that the Cham borrow local
words and expressions at the place they reside,
mainly from Kho Me and Vietnamese. In terms
of their script, only the Cham Dong (in Binh
Thuan, Ninh Thuan provinces) have preserved
their original script. The Cham script is now
being taught at elementary school to help maintain
this unique linguistic tradition. The Cham also
utilised the Akhar Thrah scripts from Nam An
which has been incorporated into present-day
Cham scripts. Ancient texts written on papyrus
or paper used both of these scripts and include
various epics and love stories such as the Devamuno
Inra Patra, Ummurup, Cambini, Bini-Cam, Sah
Pakei, Patauw Kamai, Patauw adat Likei etc.
This ancient literature gives a clear picture
of the life and society of the Cham through
history. Together with academic literature,
the Cham also have very rich popular literature
which comprises hundreds of stories, sayings,
idioms, puzzles, songs etc., which make up a
precious literary tradition. Cham people have
songs for fishing using the 'vai chai' rhythm
(pwoc jah), betrothals (danh dom da ra), milling
rice (danh rasung chai) etc. These rhythms are
also sung during festivities with dances which
have become a real attraction to spectators.
Surely the greatest and most unique contribution
from the Cham culture is their architecture
and carvings.
Historical stupa compounds inMy
Son (Quang Nam-Da Nang), Thap Ba (Nha Trang),
Thap Cham (Ninh Thuan) and various Tara statues
in Dong Duong, and Apsaras in TraKieu have all
had their position confirmed in the Southeast
Asian sculptural tradition. Though most of these
works were created for religious purposes and
stemmed from Brahmin spiritualism, they became
popularised and part of the Cham national culture.
As such, the Indian-inspired Vishnus, and Shivas
went through considerable transformations and
became more human when recreated by Cham artisans.
In the present day, the Cham people have adjusted
their lives to local conditions. People in Tay
Ninh mostly work in agriculture, fishing and
commerce while those who live near HoChi Minh
City have developed an urban lifestyle. The
majority, however, still maintain traditional
professions like cultivation, husbandry, weaving
and ceramic production. Cham handicrafts are
now exported to various countries where they
are highly appreciated due to their unique style
and high quality workmanship.
EDE HILL TRIBE
Divided into Kpa Krung, Adtham, Mthur, Ktul...,
Ede ethnic group with more than 160,000 inhabitants
living in the heart of Dac Lac Highlands, Khanh
Hoa uses the Malayo-Polynesia language. They
dwell in stilted houses with sloping roofs.
Besides farming and breeding, they hunt wild
animals, taming elephants and picking fruits.
Their culture is original with many well-known
epics.
K'PAL AND THE LIFE OF THE EDE PEOPLE
K'pal or "Sacred bench" is an essential feature
of all festivities and ceremonies of the Ede,
an ethnic group in Central VietNam. It is reserved
for the elderly of the village, guests and musicians,
and females are strictly forbidden from sleeping
on it. The bench is carefully constructed in
strict conformity with age-old rules. It is
usually 13 m long, 0.7 m wide and about 21 to
22 cm thick, and the whole process of making
it must be completed within seven days. To make
a k'pal, the head of the family first makes
an offering to the god Giang Wah Yang, protector
of all ceremonial objects and cultural symbols.
Offering preparations includes a fine pot of
distilled rice wine, kept for at least one year
at a pure place believed to be under the close
watch of the gods of the forest and river. In
addition, there are the tools to be used in
the making of the k'pal, like axes and hammers.
Early in the dry season, young men go deep into
the jungle in search of suitable wood from a
tree that meets several conditions, including
having no creepers, no birds' nests or bees.
The
Ede people believes that such trees are haunted
by spirits and, therefore, objects made from
them are not likely to lead to a peaceful and
prosperous life. Once the tree has been chosen,
an axe without a handle is thrown into its trunk
and left there overnight. If the axe does not
fall down, the practice is repeated twice more
before cutting the tree down to make the k'pal.
The family head then summons seven workers to
cut the tree down. Once the k'pal is completed
- within seven days - rice wine is offered and
a goat-sacrifice ceremony held for the forest
god. The goat's meat is distributed to the workers.
Later, the k'pal is taken home in a ceremony
during which the entire family dresses in traditional
Ede costumes and plays the Ki Path and Ding
Tat or other traditional musical instruments.
The family head and the local wizard lead the
procession. The family head dances the ceremonial
Adring dance with a shield to show the family's
pride and martial arts. Then, amid the reciting
of poems, offerings are made to the gods and
the k'pal is carefully brought inside the house
and tied to the wall. For one whole day, no
one is allowed to pass the place where the k'pal
is kept. Throughout the night, the family head
and other male members of the house must dance
the ceremonial dances three times, offering
the gods seven pots of wine and a buffalo
HOA HILL TRIBE
In the late
19th century, nearly 500,000 Chinese migrated
to Southeast Asia. With 1,000,000 inhabitants,
Hoa ethnic group occupies 1.77 % of the Vietnamese
population and lives mainly in ChoLon area of
Ho Chi Minh City, Can Tho, Kien Giang, Da Nang,
HaNoi, Hai Phong, Quang Ninh .....Most of them
are workers and have been naturalised in Vietnam.
However, many members of Hoa ethnic group are
expert in business and held several leading
economic branches in South-Vietnam before.
DAO
HILL TRIBE
With more than 400,000 inhabitants,
Dao ethnic group occupies 0.65% of the Vietnamese
population and belongs to Meo-Dao linguistic
group. They live at the altitude of 700-1000m,
whereas H'Mong ethnic group at the more considerable
altitude. Most of them inhabit Ha Giang - TuYen
Quang, and part of them in the northwest regions.
Dao ethnic group came to Vietnam six centuries
ago, and remains in a nomad life
(Above article taken from Vietnam Express Jan 06
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